Beyond School

Life is physically and mentally too cramped for me to write the posts I’ve been planning about Pink’s Whole New Mind and Shirky’s Here Comes Everybody.  I’m tutoring three days a week, finishing up my change of visa status (I never thought I’d need a Green Card, but there it is), and moving into our new apartment on Tuesday - after which I hope to be able to think clearly.

In the meantime, I’m enjoying simply sharing some of the amazing free resources I’m discovering these days. Today’s offering:  Celtx (click screenshot for full view).

From the Celtx site, a partial overview of the scriptwriting, storyboarding, collaborating, production scheduling, and on-and-on-ing it performs:

Celtx is the world’s first all-in-one media pre-production software. It has everything you need to take your story from concept to production. Celtx replaces ‘paper, pen & binder’ pre-production with a digital approach that’s more complete, simpler to work with, and easier to share.

Multi-Media Friendly: Celtx helps you pre-produce all types of media - film, video, documentary, theater, machinima, comics, advertising, gaming, music video, radio, podcasts, videocasts, and however else you choose to tell your story.

All-In-One: Unlike scriptwriting software, you can use Celtx for the entire pre-production process - write scripts, storyboard scenes and sequences, develop characters, breakdown & tag elements, schedule production, and prepare detailed and informative production reports for cast and crew.

Fully Integrated: Celtx is designed to help your entire production team work together on a single, easy to share project file - eliminating the confusion of multiple project files, and the need for ‘paper and binder’.

There’s more, too: a Project Central community site for global Celtx users, and more beyond that. Check out the site for the goodness - and don’t miss the screencast tutorials to get the full effect.  Just wonderful - hats off to Celtx.

It’s cross-platform, by the way, so goodness for all, PC, Mac, and otherwise. (h/t to Ostatic for the excellent Six Essential Open Source Apps for Mac Videographers post. Go there for five more goodies beside!)

[Update: See comments for more news on this.]

Is anybody else experiencing Airport Wireless “airport scanning” weirdness in OS X Leopard?  Since upgrading to Leopard, my wireless disconnects constantly to scan for other networks - when the network I’m on works fine. My Airport signal is also lower since the upgrade.  I know it’s a problem because it’s affecting four - that’s right, four - separate Macs I’ve been using since Leopard came out. And I’m not the only person having this problem, as a quick glance at Apple’s support forum shows.

If you’re having this problem too, this free download, AP Grapher, might help. Since installing it a few minutes ago, I haven’t dropped connection at all. Here is some guidance from the Apple Support forum:

Hi guys

I too have been going INSANE because Apple can’t seem to sort this out. Its enough to drive you mad - especially when they still aren’t acknowledging it as a problem.

Download AP Grapher from here: http://www.chimoosoft.com/products/apgrapher/

Run the program while you browse…In preferences, I set the scanner to refresh every 10 seconds, and the Grapher to refresh every second. Although I’m still experiencing dropouts, the constant activity means they aren’t noticeable at all. It really does seem to work well because it reconnects immediately

The Grapher is also helpful - the Tx rate (yellow) will show you what’s going on and how frequently the connection drops.

…and no - i don’t work for chimoosoft!

Happy camping, Owen

If you’re more tech-savvy than I am, and have a solution for me and others, please drop a comment and help us all out - thanks in advance.

Just spreading the love to my fellow Mac users by sharing Monolingual, a free open source program that saved me 4Gb of hard drive by removing the hundreds of languages localized on all my software, and by stripping the PowerPC files from my Intel MacBook.  (If you have Adobe Creative Suite, you’ll easily save 2 or 3 gigs with a single click. Bloated with languages. Sorry, Cyrillic, you had to go.)

Be sure to run both the “Languages” and the “Architecture” programs.  And buy me a beverage the next time you see me.  Better still, donate a few bucks (or Yuan, or Quid¹ ) to the folks who created this useful tool on the Sourceforge site.

1. what the hell is a quid? [↩]

This isn’t theoretical - necessarily. It could be the beginning of a beautiful relationship.

Given a 1:1 MacBook school, a geeky teacher, no bandwidth or filtering or blocking restrictions, how would you design an elective class to showcase 21st century learning possibilities?

I’ve got an elective “writing seminar” beginning next week, with about ten students from age 15-17. Most have MacBooks.

I’m free to structure this class however I want. And it should be obvious I take “writing” in its communicative (and digital) sense - including multimedia, connectivity, project-based learning, the whole nine yards.

I see this as an opportunity to experiment. And to co-teach with anybody out there with an idea needing a classroom - maybe one of the many administrator, librarian, or academic readers out there who wish they still had a classroom to implement some ideas.

How can we seize this opportunity to do things differently and demonstrate the possibilities?

The conditions: class meets every two days for 75 minutes. There are no issues of filters or bandwidth to worry about: you name the site, from Skype to YouTube, from Twitter to eternity, we have access.

Assessment and grading can be as non-traditional as you please.

So there it is. Sketch your vision(s) below*. And let me know, also, if you want a hand in actually playing “teacher” for this class. You don’t have to be a “schoolyteacher.” Heck, you can be a freelance musician or gonzo entrepreneur for all I care. Socrates didn’t go to teacher certification school.

If I like the idea - and if the students do - we’ll run with it.

Deadline: Tuesday, 8 January 2008.

–

*Remember: this is an Open Thread. That means there is no such thing as a comment too long. The thread is the thing. Also: notice your comment is followed by a link, via my CommentLuv plugin, to your last post, by title. [Update: Check out the 30-odd comments on the first Open Thread, "Your Fantasy Alternative School," to see how open threads collect great ideas and invite you to visit the blogs of the contributors.] And finally, if you like your comment that much, of course you can post it on your own blog as well. It’s not an either/or. Both here is better, since the thread adds to conversation, and the posting on your own blog keeps your own developmental archive intact. Thanks!

Photo: peter-noster on Flickr

After my first outing doing a rather “schooly” self-assignment for AP Literature, I got what I asked for: friendly and constructive criticism - “assessment”? - from Dean Shareski, Bud Hunt, AnneO, Diane Cordell, and my flat world team-teacher/blood brother Chris Watson - all whom I thank for taking the time.

So you’ll notice these changes:

1. No scrolling text. Instead, I used iMovie’s “Music Video” editing option. One bothering limitation in that option is a ten-second maximum duration for each block of text. Another is the slider for text size - a numeric text-size option would be nicer for uniformity’s sake. (Dean suggested no text at all, or subtitles. Since I want my students to have the option of reading along as they listen, I chose to stick with the text. But I didn’t like the scroll either. Subtitles would have taken forever to add, line by line. Thus the “music video” devil’s bargain.)

2. Less jumpy transitions. On my first try, I learned the time-consuming lesson that all text edits over images are erased if you put transitions before or after a clip. I also learned something about measuring the duration of some lines of recital first, and then adding images with those durations set. I also reduced the use of the Ken Burns effect, because that effect consumes a lot of time, and is often damaged when fades or dissolves are added to them.

3. (This one was tough:) I added some editorial and “teacher-y” stuff in there for my students. It goes against the opposing desire to make this an entertainment piece for all. (And it just occured to me I could have easily exported a straight recitation, then added the teacher stuff to a second schooly version. Damn.)

So here’s the next installment, this time on YouTube instead of Google Video (for you comparison shoppers out there):

Paradise Lost, Book 4 (episode 2): Satan Enters Paradise

This one is about four minutes long. It took me about four hours. Feedback still welcome! (And feel free to read my AP Literature students’ feedback on our open class Ning.)

To Reflect a Bit More:

I’m still wondering about the overall value of digital storytelling. I know that for me, at least, I record the readings over and over, never quite satisfied, discovering an inflection better placed here than there, and so forth. But I have to say, it does get tiresome. Maybe that’s the fault of the parameters I’ve set: reciting someone else’s work, limiting it to still images, voice-over, and text. Not what I’d call a very in-demand real-world skill. (Or am I wrong?)

(I’m also curious how many of you out there who have assigned a digital storytelling project have tried one - or more - yourselves. And what your impressions were after the attempt. Comments?)

I really want to start playing with actual filmmaking: scripts, shots, storyboards, the whole bit. That would be far less schooly, and surely far more engaging. Yet I look at so much “crap” when students (and others) are given a camera and told to make a real film, I don’t think I would assign that to students without some very tight scaffolding and staging. But somebody - was it Dean? - mentions the “Don’t give them a camera until they’ve given you a storyboard” rule in this year’s K-12 Online Conference, don’t they?