Beyond School

Nothing like seeing a friend from three decades ago, when you were a new and very green adult in the world, to stir up the mind.

John and I also talked a bit about Gilgamesh today. Me talking about Gilgamesh is nothing new. I do that with anybody and everybody who’ll listen. But talking about it to the guy who knew you way back when when you so naively embarked on a conscious search for “Truth” — especially when that same guy joined you, and with exactly the same naivete — that is something new.

It’s like our 20-year old selves were sitting on that beach with us two 47-year-olds all day.

False Starts in the Search for Truth

That 20-year-old me was such a lousy seeker for Truth. He read all the Old Books devotedly — the Greek, the Hebrew, the Vedic, the Christian, the Hindu, the Buddhist, the Taoist, the Gnostic, the Transcendental, “Yak yak yak.” He read them all, underlined passages, filled margins with scribbles, exclamation points, interrobangs. He started (and rarely finished) journals devoted to only copying the choicest of those words of Wisdom — quotes only. The Things to Remember. These were the words of Wisdom and Truth, and they were going to teach him Truth and Wisdom, by god. If he read them real closely to be sure he understood, then he’d find Truth and Wisdom. And life would be better because he’d have those things.

All I could do today while thinking about him was laugh at him.

Because I think I know now that that’s exactly the wrong way to read the Old Books.

If I had read Gilgamesh back then, when I was him, I would have been expecting it to teach me too. Another Old Book that was supposed to be Wise. That’s not how I read it now, thank goodness.

How Moderns Read

Anyway, I sat there on that beach wishing I had my iPod so I could record  what I was trying to aphoristically sum up about what I know about reading now — and wish I’d known well before 20, at your age, my students. I didn’t want this little stab at something essential to slip away. It went something like this:

It’s not what we learn from the Old Books. It’s what we see in them.¹

That mental shift in relation to reading, I want to say, comes close to a definition of the modern reader. A traditional reader gives up his authority to the author. A modern reader takes that authority back. Copernicus did it to Aristotle and Ptolemy, for example — he doubted their scientific authority based on his own observations. Voltaire and Nietzsche did it to the religious authority of popes, preachers, and the Bible.

A modern reader, in a nutshell, doesn’t read on his knees.

The scary thing? It seems that a large number of Americans are not modern readers at all.

And the sad thing? They all went to American schools — which doesn’t speak well about American education.

1. And yes, this is probably true of all books. But moreso, I think, for pre-scientific books. [↩]

This is a picture of the Pattaya Beach I wasn't at that I didn't take. Who needs a camera when you know there's a picture on Flickr?

So I’m somewhere in Thailand called Pattaya that I wouldn’t choose to come to except that John, my best friend from my “professional college student/Bohemian vagabond years” from age 20 to 34, is here — I wrote about him and those years of our knuckleheaded intellectual awakening in the In the Crumbling Temple of the Dead White Males post last year — and it’s the first time we’ve seen each other in 15 years, which is really cool. It was only a two-hour flight from Singapore to make this quick reunion. I’m pleasantly surprised we both made it this close to 50. And ditto that the conversations are as comfortable as if we just had coffee yesterday in 1994.

Anyway, this post isn’t about John. It’s about thoughts I had with him as we lounged on an empty stretch of beach away from the tourist-infested area.¹

John went the Ph.D. route and is now a philosophy and religious studies professor in the States. He’s a big Buddhism head, but he also teaches logic and critical thinking.

I watched a nice white cloud float across a nice azure sky, right up there above the palm fronds shot through with sunlight, and asked John with my own big teacher head, “So how do you teach critical thinking, anyway?”

The part of his answer that interested me most was: “The hardest part for me, and the most important part, is getting students to see in what they’re reading what the real issue is. Texts and writers often don’t make that clear.”

I said “hm” and watched more clouds, listened to the same surf’s voice here in Thailand that John and I heard under so many conversations in Los Angeles in the ’80s and Oregon in the ’90s. And I listened to some thoughts that I wish an interior monologue recorder would have recorded so I could play them to my history students (doesn’t it suck that our students get to hear so few of our many — for me practically constant – random thoughts about what we want them to learn, see, understand? That they can’t join us in interior dialogues?).

So I’m going to try to pull those thoughts back up. They’re pretty simple, but that doesn’t mean they’re easy to teach. It goes something like this:

You’re Learning Everything About European History Except What’s Important

I’ve tried to give you what we’ve called “the Big Picture” of how our species left Africa, populated Europe and Mesopotamia, started farming, made civilizations, spread those civilizations, got more complex, created institutions of politics and religions and economics and social organization and, as the Thais say, “Yak yak yak.” We’ve toured this pretty coherently, I think, in the first semester, all the way up to the Enlightenment and Scientific Revolution. I’ve tried to give you that coherent “Big Picture” framework because I never got it when I was in high school, and it took me way too long — into my 30s — to have it. That meant whenever I read or heard about a book or event or person from the past during the first decade-plus of my adulthood, I couldn’t “place it on the map,” give it a mental context — “Oh, that’s when the Reformation and the Age of Exploration and the Renaissance were going on all at once, so everybody was so confused with all the new knowledge when that happened” sort of thing.

Everything that happened before my life began, in other words, was something like an “historical orphan.” It had no relations with the other things going on around it when it was alive.

So I’ve tried really hard for the first half of our year together to make that story coherent, to make you see that A couldn’t have happened before B because B partly caused A, on and on. (I wrote about that a while back in Why History Isn’t Learned, and How Story Helps Change That.) I’ve tried really hard to give you that framework so you’re not the idiot I was for so many of my first college years.

And congratulations: Most of you, judging from your semester exam essays, seem to have got that hiStory in your heads.

But here’s the problem that I saw when reading those essays:

You Think “Western Civ” is About Learning “Western Civ.” It’s Not.

As John put it, you’ve read the text and understood it, but you don’t understand the issue.

And the issue, to put it in a nutshell, is this: Knowing all this stuff is worthless, if all you’ve done is learn it. You seem to think that we’re teaching you Western Civilization because gee, it’s a great civilization.

It’s not. Like all civilizations, it has its strengths and it has its flaws. Just because it’s part of the dominant culture today doesn’t make it good. Maybe the dominant culture today would be much better if certain aspects of Western Civilization were different — or even non-existent.

Most of your essays saddened me because they were so full of cheer-leading for the West. Civilizations, Western or Eastern, Northern or Southern, don’t need cheerleaders. They need critics.

So in the second semester, let’s up the game. You’re going to continue learning that Big Picture. But I hope you’re also going to start forming your opinions about it, embracing parts of it, rejecting others, arguing some parts are broken and need fixing, and proposing how, if you were in the position of power to fix it, you would go about doing that.

Because many of you, when I’m losing my last teeth and blogging through bifocals decades from now, may very well be in those positions of power. And I hope you’re exercising that power not with pom-poms, but with sharp-eyed solutions to the problems you’ll inherit.

Otherwise this future old man is screwed.

Jeez, That was Heavy

So I’m going to go get a massage now. That’s one of the beautiful things about Thai civilization. They understand that a trip to the massage parlor is just as important as a trip to the shopping mall. The West could learn from that.

Image by piwaen

1. Thailand travel tip: rent a scooter your first day, then take it 30 minutes minimum from where all the tourists are to find an out of the way place where you can have some peace, quiet, and authenticity. [↩]

I just discovered the 2008 Webby Award-winning “You Suck at Photoshop” series on YouTube. While it may not succeed at making me a Photoshop ninja, it does succeed at convincing me that this kind of project would make the classroom an awesome place.

Here’s why: the series demonstrates a mastery of content knowledge — in this case, Photoshop technique — while at the same time adding a creative element that makes the content-master stand out from the equally masterful but unimaginative competition. Point blank: in the hands of this guy, something as dull as “how to use layers” becomes a vehicle that screams, “Hire me to write for ‘30 Rock‘!” He proves he can turn lead into gold, which is a real-world skill not many people have. Alchemists like that deserve the chance to display their creative magic in school.

The Mental Work is Hard….

“You Suck at Photoshop” displays that creative magic in the form of fiction (see the Wikipedia entry on the series for  more). The host of the tutorials is a persona named “Donnie,” a loser stuck in a lousy life with a lousy wife. We learn about Donnie’s life through a series of such sometimes-subtle details as his choice of photos for the tutorial — “Say you want to use a photo of the Vanagon your wife meets her high school boyfriend in on Friday nights….wait, I’ve got one right here” (scroll past other photos of — gulp — handguns, and one of the high school boyfriend labeled — gulp — “douche-b.png”) — and such sometimes-over-the-top details as the wife barging in to kvetch at him in the middle of his tutorial, or his loser friend Skyping in with a loser-emergency while Donnie is making his screencast.

The creator of this project not only demonstrates his literary creativity by creating the fictional “Donnie” persona and populating his Photoshop folders with props like the pictures mentioned above; he takes it further with his dramatic creativity as he acts out the role of that persona with his voice-over. The vocal acting covers a broad emotional terrain, from dude in his basement chillaxing with his laptop to powder-keg psychopath struggling to keep the flame from his fuse. The acting is just awesome.

….The Tech is Dead Easy

The beauty of the project technology-wise is that it requires nothing more than a screencasting program like the free Jing or Screencast-o-matic, plus a webcam and microphone — your standard kit in most computers today. So the technical hurdles for students to do such a project are basically nil.

That leaves the whole of their energies to devote to the other two aspects of the project: mastery and critical understanding of the content, and creative concept development to deliver that understanding.

Too Beautiful for School?

So I’m wrestling, as usual, with the ways this wonderfully simple approach to creative learning will be complicated by the forces of schooliness:

• Do I have to make a rubric for it, and if so, does that kill the creativity with its prescriptive check-box drudgery, or limit the infinite creative possibilities by dictating “it must be this and not that, and that and not this”?
• Is it sustainable in terms of watching and grading and giving feedback to 100 students doing such an assignment?
• How do I define satisfactory content mastery and creativity for this assignment?
• How do I encourage experimentation and the healthy embrace of possible failure when I have to slap a low grade on it if it does indeed “fail”?
• Should I make it optional, in following with my increasingly elitist impulse to definitely not “push” the unwilling to attempt genius, and not even “pull” them, but only to “attract” the three percent of “roses” in any student population who might blossom in the attempt?

I don’t know.

Nor do I know how to adapt this for a history classroom. Can “You Suck at Photoshop” become “You Suck at History”? How? How can this be used for Europe from the French Revolution to the present, or the complete history of China?

My recent brainstorm on giving a conceptual purpose to learning Chinese history by “interpreting it for historically-ignorant Westerners” seems to have some openings. God knows, there are ample websites of Chinese and Western art, literature, philosophy, religion, politics, and more that students could tab through on their screencasts as they provide their commentary like “Donnie” does to his open Photoshop on his desktop. But the maker of “Donnie” has the luxury of revealing that persona through the image “props” in his folders, while history students wouldn’t have as easy a task of  revealing persona if they were forced instead to work with history websites in their screencasts.

One solution I’m considering is making it a summative, end-of-semester project, in which students have most of the semester to let their creative juices stew and come up with their own ideas over the first few months. Then give a couple of weeks of class time to a workshop in which they design and execute those ideas.

Otherwise, I’m mostly adrift. Maybe you can help.

But if you watch the three-minute first episode below, you should see why I’m bewitched by the idea:

Do yourself a favor and watch the whole playlist. Then help me figure out how I can make this work?

I wrote recently about how many of my otherwise sharp students were “Google fundamentalists” who argued, to simplify a bit, that “if it’s in Google, it’s valid.” These are often the same students who insist they should be able to use Wikipedia as a source for research.

I’ve been skimming Wikipedia’s own policies for writing and research, and Lo! The Great Wikipedia itself tells its writers the very things I was trying to tell my young fundies. Maybe hearing from the Great Wiki God’s own mouth that Wikipedia and blogs should not be taken on faith, and are not considered reliable sources, will bring them out of Digital Barbarism and into the Enlightenment.

So below, brothers and sisters in Reason, are chapter and verse from the Wikipedia Scriptures themselves, warning the faithful not to rely on Wikipedia, blogs, other wikis, forums, self-published books, or textbooks for research. Nice caveats apply in some cases to spur further discussion.

I share for those who share my pain [emphases added]:

• Wikipedia:Reliable source examples – Wikipedia, the free encyclopedia

• • –full Wikipedia page

  • Are wikis reliable sources?

  • Wikis, including Wikipedia and other wikis sponsored by the Wikimedia Foundation, are not regarded as reliable sources. However, wikis are excellent places to locate primary and secondary sources.

  • Are weblogs reliable sources? (more below the fold…) Read the rest of this entry »

I think this question would make either a good meme or a good open thread:

What new routines have worked their way into your teaching-and-learning life as a result of the digital revolution?

I’ll share a couple of mine. I think history teachers will find the first one valuable, but teachers of any discipline can find and do similar things in their subjects.

1. Annotating Open Courseware University Lectures on Academic Earth, YouTube, Yale:

I’ve been watching UCLA Professor Lynn Hunt’s European Civilization from 1750 to the Present course lectures on Academic Earth to review modern European history before teaching it in the semester beginning next month.¹ I’m also watching Yale Professor John Merriman’s course on the same subject.

Here’s the rub: Yale’s courses are better watched at Yale’s Open Yale site, where you can find transcripts, video downloads for iPods, and all sorts of supplemental goodies for each lecture. But I haven’t been able to find the UCLA course on any UCLA-hosted site, so all we have for Prof. Hunt’s course is Academic Earth’s video. That means no transcripts or text of any sort. [Update: UCLA has a YouTube channel that allows downloads of the lectures -- something Academic Earth doesn't do. I'm putting my floating stickies on the YouTube lectures too. Here's the Modern Western Civ course playlist.]

Dr. Hunt’s a fine lecturer. She opens each class with a musical or artistic piece from the period covered, for example, and discusses its significance in the wider historical context. Her lectures are also well-organized, tight, and interesting. So my new routine, as the screenshot below shows, is a simple one: While I watch a lecture, I have a Diigo floating sticky-note open on the page, and simply outline the lecture with time-stamps. You can see it live here, if you have Diigo [Update: And here on YouTube]. Obvious uses:

• I — or anybody else — can use the time-stamp to show exactly the segments wanted in class.
• I can also adapt and/or condense the entire lecture for my own presentations in my classes. Simply extract the time-stamp and notes on my Diigo page, print them out if needed, and voila — an outline for a lecture, presentation, or discussion.

Again, this is simple and no big deal. It’s just taking notes while watching a video. But the cool thing is, other teachers worldwide (if they use Diigo) can share mine and add their own. (Among other possibilities.)

Here’s the screenshot:

Dr Hunt's UCLA lecture, my Diigo floating sticky-note (click for larger image)

2. Planning Classes While Walking to School with iPod/iPhone Voice Memo

Talking to Yourself is Good

I love Voice Memo. My daily routine in Singapore is an hour metro ride to school, then a 10-minute walk from the metro station to my classroom. I use it as planning time, and my best tool is my iPod Touch’s Voice Memo app. My iPod earbuds have a mic in the wire, so all I have to do is spend five minutes or so thinking about how I want to structure the day’s classes, and talk it into my iPod. When I get to school, I listen to the voice memo to write my lesson plan on the board.

I know some people can plan classes weeks in advance, but I’m not one of them. Too many ideas worth incorporating come in the days,  even the hours, before the class. So this has been a godsend for me. I don’t forget my best ideas, and don’t have to write them down. I literally talk to myself as I walk to class about the best ideas I have for the day.

Again, no big deal. A drunk could do this in his worst hangover. And that’s the beauty: low-labor, high-leverage changes in routine, thanks to new tools.

What about you? Any to share?

And Happy New Year, by the way. May the five-fingered fist of fate always smash the mean person next to you, and pet you like a kitten until 2011.

1. Be warned: the audio is sometimes bad, but the lectures are quite good. Dr. Hunt’s a trooper for not tearing off the microphone and telling the tech crew she’s mad as hell and not going to take it any more. [↩]

I’ll have more to say soon about how I’ve been trying to teach the wisdom in this “napkin philosopher” piece in my classroom all year. It’s going to get center stage on my classroom door window first day back to school. Maybe even tattooed on students’ hands.

But right now, it’s off to the airport to send my in-laws back to Korea. (If you haven’t downloaded Seth Godin et. al.’s What Matters Now, follow that link. And see more about Dan Roam’s work here and here.)

Dan Roam, from "What Matters Now" (click image for larger file)

Watch the two videos below — I even took notes of highlights to prod the attention-deficient — and then show them to your students.¹

1. Randy Nelson, Dean of Pixar University, on Collaboration and what I’ve been calling Social Intelligence in the Workplace. Key concepts:

1. Making co-workers look good, not bad;
2. “plussing” your partners;
3. wanting people not only with “depth” — résumé-based hires — but also a proven record (portfolios? blogs?) of innovation and
4. the ability to recover from failure instead of avoiding it;
5. on the desirability of “mastery of anything” (skateboarding, playing spoons) in a person’s past;
6. “the proof of a portfolio versus the promise of a résumé” (and, I’d add, GPA);
7. on wanting people who are interested, not interesting (that is, your piercings, tattoos, hairstyles, and daddy’s bank account are cheap ways to be interesting; much more interesting are people who are interested — hipsters take note);
8. communication skills based, again, on social intelligence vis-a-vis audience-awareness;
9. desirability of breadth (great, you’re a tech whiz; it would be nice if you knew, say, art history too);
10. on collaboration (“amplification” via “interested listening” and breadth and unique contributions to a project) versus cooperation (not getting in each others’ way).

Via Edutopia:

2. Seth Godin on Curiosity:

1. On the mental poverty of religious fundamentalists
2. On the mental richness of the curious
3. On how two generations lead sadly mediocre lives due to television, and how the lucky few have kicked that habit
4. On the curious and the fearful — “the masses in the middle [who have] brainwashed themselves into thinking it’s safe to do nothing”
5. On the difficulty of becoming curious — due to decades of schooling punishing curiosity
6. Nice Mao reference for this Chinese history teacher!
7. Paradox: “The safest thing to do is be risky; the riskiest thing to do is be safe.”
8. How Godin beat the odds and remained curious.
9. How religious fundamentalism has nothing to do with religion, and everything to do with an outlook that rejects curiosity.

Via Seth’s Blog:

‘curiosity’ from Nic Askew on Vimeo.

1. Big hat-tip to Katie Day at The Librarian Edge, from whom both of these videos are nicked. Follow that link for an excellent post. [↩]

I was going to delete this spam, but upon reading it realized it could have been written by so many students new to commenting on blogs.

So students, if your comments sound like this, consider them an epic fail:

Easily, this article is really the most informative on this deserving topic. I agree with your conclusions and am eagerly look forward to your future updates. Just saying thanks will not just be enough, for the extraordinary clarity in your views and writing.

And thanks to the spammer for the inspiration. It’s a perfect example of how words can add nothing to a text.

This “Critical Thinking” video is worth a watch.

Now: What follow-up questions for discussion or writing will get the most bang for the buck if used in the classroom?

(h/t One Good Move)

I’m a 21st Century Education Rip Van Winkle with a twist: I only went to sleep for a single year’s sabbatical, but the changes over that year make 2008 seem like 1808. This post is long, but I hope some of you will plod through it and advise me on what helpful solutions I’ve slept through. I put my pleas along those lines in red.

Feel free to skip to section three for what’s really the meat of this post. I’d love feedback there especially.

I told my students in the just-concluded semester-long Chinese History course that I gave myself a B/B- for the way I taught it this first time out (call it the Beta version). This post will return to my early “teacher think-aloud” habit on this blog to reflect on ways to raise that grade for the second semester

Since a B supposedly signifies “above average” without signifying “excellent,” I’ll justify that grade first by listing what I thought were the course’s strengths and weaknesses. Then I hope I’ll have enough steam left to dump the brainstorm of how to re-figure the course — using Diigo to heighten the academic rigor, and an “in medias res” narrative structure to heighten the engagement and provide the essential purpose for studying Chinese (or any) history at all¹ — that’s been brewing in my mind over the last (typically post-midnight) hour.

Strengths, Weaknesses, and Future Improvements

1. Replaced the textbook

Strengths: A week before the course began, the returning teachers arrived to work and I was finally able to see the resources and scope of the course. The textbook, to put it generously, was great for 12-year-olds, but not my 16-year-olds in this supposedly “rigor”-driven school — so I tossed it and replaced it with the China chapters from an introductory Asian History college textbook (Rhoades Murphey’s excellent A History of Asia).

Weaknesses: Murphey’s text led to an embarrassment of riches: there was simply too much information in it for a brief survey course. I was also concerned that its readability level was too challenging for some students, but I did a Poll-Daddy poll and found 33 of 36 responded from “It’s a bit challenging, but I can handle it” (my definition of the Zone of Proximal Development for reading) to “It’s just right for my reading level” to “It’s easy.” Still, for the three who couldn’t handle it, alternate texts or resources were necessary, and I didn’t have them.

Another weakness was in the photocopied packet I made of the Murphey readings. I didn’t include the Index in the copies, so it was surely difficult for students to be able to locate information from the text for review purposes.

A final weakness: It had been four years since I’d used the text, which means I’d forgotten most of it, and spent the semester “two days ahead of the students” in terms of content mastery. (Students seem to think teachers remember everything they’ve ever known, which is interesting, since a brief reflection on their own forgetting of content from courses from prior years should demolish that idea. They seem to think the adult brain is of an entirely different model, some new design inserted in the skull upon college graduation or something. So here’s a dirty teacher secret, kids: Our brains are at least as limited as yours.)

Future Improvements: I’ve ordered The Cambridge Illustrated History of China to be the textbook next year. An Amazon “Reader Reviews” and “Look Inside” perusal satisfied me that this is a reasonably solid high school China history text. (We’re looking at ABC-CLIO database as a possible digital replacement for paper textbooks altogether for next year, when we go 1:1. Anybody know how feasible this is?)

2. Replaced Blackboard with Ning

Strengths: I haven’t written about it yet because I’m waiting for the video to be released, but I gave a keynote speech at the Learning Technologies Conference in Australia last month, and during it I declared a “pox on Blackboard.” I meant it. It made my first month trying to get to know my students’ backgrounds, preferences, and literacy skills utter hell. First I assigned an “About Me” forum that most students put a lot of effort into, apparently….. “Apparently” because I never saw it. Some glitch in Blackboard didn’t save the things, so I never got to read them. That damned me to fogginess about the general skills of my class for the first couple of weeks. Later attempts to use the forums, once the glitches were ironed out, were still clunky due to Blackboard’s horrible user interface (in all fairness, my school is using an old version, and I think later ones have copied enough from Moodle to be more intuitive). Example: answering a forum in Blackboard confused most of my students because of the language of the User Interface. Instead of hitting “reply” after my prompt — no “reply” link existed — they had to somehow just know that to simply reply they had to click on “Start New Thread.” Talk about unintuitive.

Then there was Blackboard’s use of Frames, so cutting-edge in 1995, and its general “why click once when you can click ten times for the same task” workflow. The tool was as schooly as its name. It took way more of my time than necessary on Moodle to deliver a look, feel, and functionality less satisfactory than Moodle’s. A month into the course I’d had it. I left Blackboard for Ning. (I wasn’t about to install and manage my own Moodle. Been there, suffered that. Anybody have solutions along these lines I don’t know about?)

The strengths of Ning: It’s way more straightforward. The Main Page is a one-stop overview and link-list for all necessary tasks and documents for the week. Videos, photo slideshows, forums, blogs, RSS feeds of China News from Google News and from my Diigo China bookmarks in widgets on the sidebars for any advanced student wanting to read more. Hell, even student birthdays announced on the sidebar (it never hurts so sing Happy Birthday in class). So good riddance, Blackboard.

I kept things pretty minimal, as far as assignments went. Rotating groups of four or five students had to blog each week on the prior week’s content — open, whatever idea struck their fancy — and the others had to reply to two that appealed to them (authentic audience response awards students with the best ideas, hopefully stirs those whose posts elicited cricket chirps to reflect on how to do better next time). It was hard for me to participate in the blogs and forums as much as I’d have liked because of the afore-mentioned “two days ahead of the students” reading the textbook.

Weaknesses: Organization. I’m not going to beat myself up for this one, because I had to design the airplane while I was mid-flight in the semester. But I need to set all forums so that replies are threaded under the comments replied to, which isn’t the default, for one thing. Also, having 36 students on a single forum got unwieldy. I didn’t want to use groups because I wanted richer conversations between the two class sections, but this made navigation of forums difficult. I also need to figure out how to instruct students to subscribe to email notifications when somebody replies to their comment or post. I’m not sure this finely-tuned of an option is even available. If not, that means students are getting 40-odd notifications every time somebody replies to the forum they replied to — which means they understandably delete them all, as I do, without looking at them. Clunky. (Help?)

Future Improvements: Frankly, I’m still puzzling over this one. I‘d love to have students use Diigo to comment on other students Ning blogs and forum readings, but since the site is locked and the content is dynamic, I’m not sure Diigo highlights would be visible to other students visiting the pages. Anybody know? [Update: Well that was easy. Diigo told me on Twitter, while I was writing this, that the highlights will indeed show. They also set me up with an Education Account within 20 minutes of my applying for it, which will make class registration much easier. So cool.)

3. Content Organization: From "From the Beginning" to "In Medias Res" (or, "Teaching History Backwards")

Strengths: Covering the 4,000 years of Chinese history from the semi-legendary Xia Dynasty of 2,000 BCE to the present in a semester course was no easy task -- especially since China, unlike Europe, doesn't have any gaping 1,000-year Dark Age through which to conveniently fast-forward, but instead boasts an unbroken string of literate centuries across four millennia. Survey though it was, the students did receive an education in the broad (and with Murphey's text, often impressively deep) flow of Chinese history from the Xia, Shang, Zhou, Qin, Han, Sui, Tang, Song, Yuan, Ming, and Qing dynasties, and on into the 20th century's Nationalist and Communist regimes -- right up to the present day. (And though I know they couldn't know how skinny their "education" in Chinese history would have been had I just used the old textbook, and thus didn't have the perspective to appreciate just how superior their introduction to that history was in terms of depth and scope, I'm still pouting over the lack of a single expression of appreciation for the bang they got for their semester's buck. I know, I know: Cry me a river. Then send me to a shrink for expecting gratitude from teenagers.)

Weaknesses: The pacing was too fast. Again, I'm not beating myself up on this one because the textbook was new and I'd never used it as the primary text for teaching Chinese history before.

But more importantly, despite the oomph of knowing the highlights of all of China's major dynasties, at a certain point it starts feeling like a stuck record. Most of China's classical dynasties follow very similar "Dynastic Cycle" patterns in which a new dynasty begins, implements some impressive reforms in its first century or so, and over the next century or two becomes complacent and corrupt, and finally loses "the Mandate of Heaven" in the eyes of its subjects, and falls to whichever rebel or neighbor state emerges triumphant in Ye Olde and Verye Predictable Ende-of-Cycle Civille Warre or Forynne Invasionne. It brings to mind the title of an old Bowie song: "Always Crashing in the Same Car."

Most importantly, that almost-never-ending 3,000 years of dynastic cycles becomes, without a purpose for knowing it, an exercise in what Jared Diamond calls "history as one damn fact after another." Diamond insists on what most history buffs would assent to: that there are patterns in history that point towards essential understandings of who and what we are -- and those understandings, of course, separate the naive and ignorant from the educated. More importantly, they separate the citizen who you pray, for the sake of democracy, will not vote, from the one you pray will always vote.

Future Improvements: The course fell into the One Damn Fact Trap because I covered it chronologically: "In the beginning....." Tonight I think I arrived at a better approach.

I'm going to start the next course with the end of the dynastic era in 1911, when the Nationalists threw out the Qing -- more accurately, when the Qing just collapsed due to its own decrepitude -- and went through a painful and practically literal "crash course" in modern governance: nationalism, socialism, dictatorship, fascism, and democracy all in a stew from 1911 until 1949, and then totalitarianism and various shades of communism from 1949 to the present.

But before doing any of that, I'm going to assign the final exam essay questions in the first week of class, and have the students Diigo the hell out of our readings and forums on Ning for the rest of the course in order to arrive at their "answers." Here are the questions:

Essay Questions:

1.  Western Liberal Democracies in Europe and (especially) the USA typically criticize the PRC for its lack of human rights – freedom of speech, religion, and assembly – as well as for its one-party dictatorship. Based on your knowledge of Chinese history in the “long view,” how valid do you think these criticisms are? Give as many specific examples from Chinese history as you can to support your arguments.

2.  Mao Zedong waged the Cultural Revolution as a last-ditch attempt to prevent party Moderates (Zhou Enlai, Deng Xiaoping, and others) from implementing capitalist reforms to China’s economic system; Mao believed instead that a planned economy relying on the social spirit of the people was the path to prosperity and justice for all.  Based on your understanding of the effects of the Moderates’ reforms from the rise of Deng Xiaoping around 1980 to the present day, to what degree do you think Mao’s resistance was justified? Use as many specific details from the successes and failures of the planned economy during the ‘50s and early ‘60s (the First Five Year Plan, the Great Leap Forward), and from the successes and failures of the Four Modernizations to the present, to support your argument.

Why Diigo highlights and sticky-notes (online, on-site, on specific segments of text annotations) instead of simple forum and blog responses? A discussion on a Diigo forum last year that Cliff Mims started -- see my highlights on it here -- sold me. Diigo's Maggie Tsai said it most succintly:

Fundamentally there is a difference between Diigo's annotation and traditional blog commenting. Diigo in-situ highlight and sticky note allows fine-grained discussion to specific part of a webpage - which opens up the possibility for more meaningful exchanges...

So in a nutshell, as students read, they'll be highlighting and bookmarking the evidence to answer our semester-long "essential questions" that traditionally I would have sprung on them as "surprise" cram-questions at the end of the course. This will very much raise the "rigor" bar, and provide a similar routine for individual research projects. But uh-oh: what about pdf files? How can students highlight, bookmark, annotate those? Any work-arounds, dear teacher-geeks? (Much of our content is in pdf format.) [Update: Re: highlighting and annotating pdf files: http://a.nnotate.com does with pdf’s what Diigo does for websites. A good find. (They tweeted after I called for help on Twitter.)]

The Beauty of a Real Project: Interpreting Modern “Communist” China, from an Historically-Informed Perspective, to China’s Historically Uninformed Western Critics

Wordy, I know, but that says it. China might not have made the finals for George W. Bush’s “Axis of Evil” award, but I’ve no doubt it made the short-list. Add to that the endless refrain, from at least the days of Ronald Reagan, of the evils of “godless Communism” and the blessings, historical and contemporary evidence aside (Iraq anyone? Or Afghanistan? or or or?) of one-size-fits-all “Democracy” and “Capitalism,” and you’ve got all sorts of articles of Western ideological faith to complicate with those lovely things called facts.

And please notice I said “complicate.” That’s the beauty of the idea: easy answers to the above essay questions, if pursued across a semester, with all evidence nicely aggregated on a simply-tagged Diigo page, will surely give way very quickly to the type of answers our future adults should have when considering modern China: and I mean nuanced answers.

Now my last two questions:

1. Assuming students will be able to offer valuable evidence and insight into the questions above — questions I’m convinced are relevant enough to the real world to deserve an audience — what’s the best way to present their findings to the world via the web?

2. How can I keep the project alive after its first iteration? Different questions for each successive class?

A million thanks for any who took the time to read and respond. If you see any beautiful ways to extend or enhance the idea further — Skypecast interviews from my students in Singapore with American students about their stereotypes of China and its government, for example? More? — please pitch those in the mix too.

1. it reminds me of David Warlick’s occasional pitch to “teach history backwards,” though my approach is a little more complicated [↩]