Beyond School

John Larkin in Oz nudged me to consider playing with the idea he so creatively played with on his own site: “How Far I Roamed as a Child.”

John’s post gives the full background of the idea, and a nicely visual guided tour of his own childhood using personal photos and satellite imagery from Google Maps¹. But this excerpt from John’s post brings out the historical and educational thrust of the idea:

[An] article in the Mail online, ‘How children lost the right to roam in four generations‘, is particularly telling. It sets out quite clearly how from one generation to the next children are not roaming as far as their parents and grandparents.

Firing up Google Maps and revisiting my elementary and junior high years’ stomping grounds in Tennessee was a blast - and as John seemed to understand by inviting me to play with his idea, it has all sorts of engaging applications for the writing classroom. One example is all I have time for at the moment, and it’s this:  By typing in my childhood home address on Google Maps, then clicking “street view” and zooming and panning around a bit, I found, of all unremarkable things, the street-drainage ditch in front of my house, with its tunnel under the street to the other side, which I crawled through as a child surely hundreds of times - and up the hill from that, in what was once my yard, the grandest hickory tree you could ever imagine, whose autumn leaves I and my brother and sisters and parents and dogs raked into piles (okay, the dogs didn’t rake), dove into, splashed around in like leafy surf, on and on.  Here’s a screenshot:

The Ditch, the Hickory, the Memory Flood

Wouldn’t This Work in the Writing Classroom?

The photo above may not do anything for you, and it shouldn’t.  But me?  I can hear the flung rocks echoing from the tunnel, smell the algae in its puddles, remember the sense of mystery of the world opening out at tunnel’s end.  For autobiography and personal narrative, again, this beats the utter hell out of brainstorming with pencil and paper about my childhood.  Never in a hundred years would I have even remembered that ditch and tunnel. But now that I do, the related memories wax exponential.  That ditch, for example:  after a heavy rain, it was a child’s river, and so, with my best friend Gary (who drowned with his father a few summers later), we named that “river,” in a bit of blood-brother name-combining, the “Clary.”  Again, just an example of how this goes beyond brain-storming to brain-flooding.

How Far I Roamed

Anyway, like John, man did I roam as a child.  I must have walked four or five miles a day on average.  Here’s Google Maps, with my first attempt to use Adobe Illustrator for labels and arrows, to show the details (click image for larger view, and note the key in the lower left corner):

How Far I Roamed: Chattanooga, Tennessee, 1960s and '70s

(And for the students out there who read this, let me know: do you roam as far these days? Or have you “lost the right to roam”?  And Dad: you can comment too, you know. How far did you roam as a child, on a daily basis?)

If you decide to play with this meme, by the way, please link it to John’s original post. It’s his baby, and it’s a good one.

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1. including the astonishing “street view” which, as the name implies, puts you in the perspective of a photographer standing on whatever spot of road you choose, and allows you to pan 360°, tilt up and down, zoom in, “walk” up or down the street [↩]

A little behind-the-scenes glimpse at the bridge-building I’ve been doing to market my tutoring service, and at the same time to share another Web 2.0 offering with teeth: the video-subtitling site called dotSUB.

One of the biggest challenges I face on this limb is communicating with Korean parents who I am, and how I’m different from most of the “I’ve got a college degree and speak English, but have no teaching experience at all” English teachers in Korea.  The parents, understandably skeptical about foreigners claiming to be teachers, have a million questions that bear on their decision to hire me.  But they don’t speak English, and I don’t speak Korean, so my poor wife is caught in the crossfire playing two-way interpreter.  Since she’s not a teacher-geek, it’s both hard on and unfair to her to shoulder her with explaining blogs, wikis, Skype, etc, to parents - or even to explain my background and experience as a teacher.

Enter the wonderful world of Web 2.0, and dotSUB particularly.

I’ve got so many movies on this space, on YouTube and Google Video and BlipTV and Archive.org, all explaining and demonstrating my background, character, skills and abilities, and all of them would serve admirably to put many parent questions to rest - if only they were in Korean.

Well, thanks to a full day’s work transcribing my own videos first, 3-second clip by 3-second clip on dotSUB, my wife is now plugging in her own Korean translation on the site under each time-stamped subtitle.  Here are the results of the first one, the first half of a teacher-training video I made a few years ago at Shanghai American School (where Jeff Utecht and Jonathan Chambers first served me the Koolaid) about collaborative team-teaching in the mainstreamed ESL classroom. (I was the ESOL department head and teacher-trainer then. Ignore the Southern Baptist look; I must have been feeling nostalgic for Camp Joy.)

Cooler still, anybody at dotSUB can freely add a translation in their own language - which others can edit, wiki-like. All translated languages would auto-add to the drop-down menu in the media player’s “languages” bar. Very cool.

I’ll show you a few more things as they come. But what do you think, I wonder, about applications of this site for foreign language classrooms? Food for thought there….

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Alrighty, Mr. Meyer - you’ve won me.  What you’re doing with video is worth it for everybody to watch.  I’m enjoying your questions and explorations, and you’re certainly upping the game. This one’s my favorite so far:

dy/av : 002 : the next-gen lecturer from Dan Meyer on Vimeo.

I’m hoping to be ready to plunge into upping my own game in a humanities-guy sort of way. Just bought a Canon HV30, soon to install FinalCut Express.  What’ll it take to get you to share your know-how?

Seriously - great stuff.  I hope everybody’s watching.

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Just saw this on Crooks and Liars, and think it’s worth sharing to teachers and students alike. Ira Glass, radio host of This American Life on (the USA’s) National Public Radio, shares how expectations - our own, and others’ - shouldn’t be too high for our media creations, because “it takes years” to bridge the gap between our “tastes” and our attempts to attain them in our media productions.

To teachers, this says, “Don’t grade blogging, podcasting, and other things too harshly.”  To students it says, “Whether you like it or not, it’s good to hold you to a required production schedule that forces you to regularly create - that’s the only way you’ll get better.” (Reminds me of the old saying, “Don’t wait for Inspiration.  She’s a lazy b*tch that has to be chased down.”)

Here’s the clip:

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Life is physically and mentally too cramped for me to write the posts I’ve been planning about Pink’s Whole New Mind and Shirky’s Here Comes Everybody.  I’m tutoring three days a week, finishing up my change of visa status (I never thought I’d need a Green Card, but there it is), and moving into our new apartment on Tuesday - after which I hope to be able to think clearly.

In the meantime, I’m enjoying simply sharing some of the amazing free resources I’m discovering these days. Today’s offering:  Celtx (click screenshot for full view).

From the Celtx site, a partial overview of the scriptwriting, storyboarding, collaborating, production scheduling, and on-and-on-ing it performs:

Celtx is the world’s first all-in-one media pre-production software. It has everything you need to take your story from concept to production. Celtx replaces ‘paper, pen & binder’ pre-production with a digital approach that’s more complete, simpler to work with, and easier to share.

Multi-Media Friendly: Celtx helps you pre-produce all types of media - film, video, documentary, theater, machinima, comics, advertising, gaming, music video, radio, podcasts, videocasts, and however else you choose to tell your story.

All-In-One: Unlike scriptwriting software, you can use Celtx for the entire pre-production process - write scripts, storyboard scenes and sequences, develop characters, breakdown & tag elements, schedule production, and prepare detailed and informative production reports for cast and crew.

Fully Integrated: Celtx is designed to help your entire production team work together on a single, easy to share project file - eliminating the confusion of multiple project files, and the need for ‘paper and binder’.

There’s more, too: a Project Central community site for global Celtx users, and more beyond that. Check out the site for the goodness - and don’t miss the screencast tutorials to get the full effect.  Just wonderful - hats off to Celtx.

It’s cross-platform, by the way, so goodness for all, PC, Mac, and otherwise. (h/t to Ostatic for the excellent Six Essential Open Source Apps for Mac Videographers post. Go there for five more goodies beside!)

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