Archive for the ‘creativity’ Category
An Approach to Teacher Merit Pay I Could Live With
Who is Arne Duncan and how will his choice as Secretary of Education affect education in the US (and, for better or worse in this hegemonic age, much of the rest of the world)? I’ve spent so many hours since the announcement reading reactions online that both my eyes and my brain cells are fried. (Enjoy the Diigo bookmarks if you’re masochistic.) All that reading will have to steep for a while before I can serve it as tea.
Until that happens, I’m going to focus on one controversy surrounding Duncan, and toss out some thoughts on it. That controversy is performance pay for teachers.
Bill Ferriter’s excellent recent post on this issue at the Tempered Radical got me thinking. I replied there,
Thinking about it a little more, this is what I can come up with so far:
We’d have to define “merit” to include the higher-order thinking skills – analysis, synthesis, evalutation/critical thinking, creativity – that the best learning projects require. This is not the opposite of the “fact-based, right/wrong, multiple choice” testing that NCLB and the College Board/AP/SAT pushes, but what you might call the upward extension of it. Mastery of facts is the beginning, not the end, of the assessment for meritorious teaching and learning.
If we start there, that means teacher merit is measured by the types of projects that are assigned in the classroom – not by the standardized testing industry – and by the performance of students who complete these projects. This further means that said teacher measurement is performed not centrally, but locally – or perhaps by boards consisting of local and central judges. (I know that “central” is vague.)
My thinking is that if teachers were rewarded for designing learning activities that measured positively against a checklist of such higher-order thinking traits – and crucially, that the measurement was based not on a single unit, but on a portfolio of all units assigned throughout the semester or year (this eliminates the dog-and-pony show liability of single principal evaluations) – then the best teachers would be rewarded with higher pay, while the worst ones would have an incentive to change their practice for the better. Teaching to the test wouldn’t be the goal any more; teaching to higher instructional standards would be.
As for what those higher instructional standards would look like, we need look no further than Linda Darling-Hammond for answers. Her presentation linked in an earlier post lays the groundwork for such guidelines.
As I commented on Will’s post about the Duncan pick,
Since Darling-Hammond led BO’s ed transition team, she may have had his ear long enough to fill it with good sense on how to reform NCLB’s assessments for the better – so that they align with better teaching-and-learning.
And I just discovered Bill Ferriter posted a follow-up to my comment, so off I go to fry a few more cells. Bill’s worth it.
Wordle Caption Competition Winner, Photoshop/Gimp Goodness
Announcing…
ΨΨ The Winner
of the McCain Stump Speech Wordle
“Write Your Own Caption”
Competition © ΨΨ
I am pleased to announce the winner is the very talented Vincent Robletto, whose Kerblotto blog screams “Subscribe” for its verbal and graphic wit and creativity. Vincent’s submission rose above thousands hundreds tens ones of rivals.1 So, without further ado [drumroll], first the unveiling, followed by Vince’s acceptance speech:
Robleto Acceptance Speech:
[Vince takes microphone. Voice trembling, blinking back tears, beaming:]
I landed a job as an advertising copywriter and won the McCain wordle today. It’s really been a stellar day.2
~ ~ ~
Okay, enough silliness. I do think it’s wonderful, though, how little whims like the lead-balloon Wordle contest 3 can still lead to new connections in this new world. I went to Vincent’s site and discovered some original Photoshop remix goodness he’d created, and got his permission to share. Two of my topical favorites:
A couple last examples of why I suffer from Photoshop Envy on a massive scale, from different posts on Vincent’s blog:
and finally, for something completely different:
And if you just want to laugh, find more than one, guaranteed, at Vincent’s selection of “A Few Bad Logo Choices.” (And congrats on the writing job, Vincent!)
Obligatory “Educational Relevance” Ending: On Photoshop Free Open Source Gimp as a Literacy Skill
Seriously: Have you, or has anyone you know, ever told students that original Photoshop (or, as Vincent corrected me, and used to make these images, the free open source software The Gimp) illustrations are encouraged – not instead of writing, but supplementing it – for essay assignments? I think it’s clear they should be. It’s a skill that sets a person apart. This whole post is all about that, in a way.
- And Diane Cordell was close on his heels. [↩]
- This from an actual email. [↩]
- It happens to all of us, Terry! [↩]
How Radio News-Writing and -Announcing Make for Ideal, Literacy-Focused Performance Assessment
I’ve been meaning to scratch this itch of a digitized reading/writing/speaking unit for any school with basic podcasting gear for a while, but have been too busy.
Busy with a new job, here in Seoul, writing and announcing radio news. I applied for it a good two months ago, and after a glacial hiring process, got the nod in mid-November. (Some of my fellow tweets know this.)1
And while it’s obvious that I enjoyed the advantage of being a foreigner when it came to breaking into radio at my age, I want to add that it didn’t hurt to have a background teaching reading, writing, and speaking skills for eight years. The old joke I loved as a new Humanities graduate – “I have a Liberal Arts degree: Will that be for here or to go?” – seems less funny now, because less true. The basic skills – reading, writing, speaking, listening, which really just mean communicating, in the end – have more value to them than we often credit.
That teaching unit I mentioned? I think about it most days as I drive home from work. In a nutshell, it’s this: invite your students to turn your content, whatever your subject matter, into five-minute “top of the hour” newscasts, applying the craft of writing for radio (great resource here), and then speaking for radio. Then have them follow up, at certain points, with “talk radio” in which they discuss and debate their “content news.” In addition to that work-flow’s simple progression from fact-mastery (identify the main ideas of each section of a chapter and distill them into a short, well-crafted précis) to higher-order thinking (analyze, synthesize, evaluate those main ideas in a natural discussion), there are two more bonuses: first, the technology slice is so simple it’s invisible (in live studio news broadcasts, you only get one chance to announce the news, so for students that means hit record, read for five minutes, then wrap by hitting “stop” and call it a day), and technology should ideally be as invisible as pen and paper; and second, the activity develops all the real-world skills that come with real journalism and broadcasting (or, as Wes Fryer puts it in regards to podcasting, “narrowcasting”).
Glancing back at my last post about Linda Darling-Hammond on performance-based assessment, this type of learning-while-doing workshop measures performance across a wide range of literacy skills: reading for main ideas, writing them with economy and accuracy (and no passive voice, mostly action verbs, citation of sources, distinctions between “alleging” and “charging,” and more), and best of all, speaking with proper pace, volume, inflection, emphasis, pitch variety, and all the other qualities radio announcers have to master to avoid losing their listeners to the next station on the dial.
It’s “real-world project-based learning” that uses the same skills as outlining, note-taking, and giving those schooly little front-of-the-classroom speeches.
The only glitch I can see is this: if you have 20 students that you put into pairs, they can’t all record at the same time in class, so they’ll have to do the actual recording outside of class. They can still have the class period as the workshop to read and write their news scripts, and practice announcing them to each other. They can also discuss and outline the questions and topics for the higher-order “talk show” piece.
Here’s the process we follow at my station. I really think it could be duplicated in an 80-minute block. At work, I do it as part of a team of two. Here it is:
7:30 to 8:30 a.m.: Read newswires (in class, this could be, say, a chapter from a history textbook), select ten articles (sections from the textbook) for the 5-minute 9:00 hourly, divide the labor, then condense those news articles – which read aloud would take two or three minutes each – into crisp little 20-to-30 second summaries of main ideas.
That means cutting about 90% of the length, without cutting the important ideas. (In other words, that means: critical reading for main ideas.)
8:30 to 8:50 a.m.: Practice reading the scripts, making last-minute adjustments where necessary. Focus on the oral skills here: breath control, pace and pause, acceleration and deceleration, words and phrases to emphasize (just consciously watch or listen to any TV or radio newscaster, and notice how different their speaking is from normal off-air speech).
8:50 to 9:00: Go upstairs to the studio, make sure your pages are in order.
9 to 9:05: Announce the news. No second chances.
Again, the reading, writing, and practicing take 80 minutes – a standard block period. The actual recording would have to be done outside of class (Skype, anyone?).
Now for the testimonial: When training for this gig, my first few attempts at speaking were disasters. Adrenaline would make me read too fast. I couldn’t control my breath, so you’d hear huge whooshing sounds as I came up for air after long sentences. My voice and hands shook. I couldn’t meet the 5-minute final out deadline. I couldn’t turn pages skillfully – you’d hear rattling paper or, worse, page one seque to page three because I’d lifted two pages instead of one, resulting in an economy article ending with a surreal sports score followed by a brain-frozen omigod pause. My vocal style would start strong, but during the underwater feeling of the third and fourth minute, I’d drop into a monotone without realizing it. And more.
But my partner’s constructive feedback and encouragement, and self-critique by listening to the performance, and imitation of newscasters online and on air, soon – within a week – led to massive improvement in both writing and speaking, by all accounts. I still have the job, so that must be the general consensus. My point here is that, done regularly, giving students time to stumble and fail, then try again until they succeed and become finally comfortable with all this literacy, will, I’m convinced, make them much stronger readers, writers, and speakers than ye olde schooly lecture-outline-take notes-summarize-give a speech drill.
It was the same with the reading and writing. My partner and I took forever, the first few days, to be able to hone in on the main ideas in all the articles we re-wrote, leading to no practice-time before going live and worse. But now, our speed has at least doubled. We’ve developed the skills, in other words, of skimming, evaluating, separating central from supporting information, and re-writing those quickly and clearly.
So, when I re-enter the classroom next year (yes, you heard that right), this performance-based workflow will be one I introduce early in the year, and sustain throughout it.
I know it’s not original, by the way, and I’m sure many teachers are doing this type of thing. I’m just struck by it because I’ve experienced it from the other (and real-world) end, as a learner.
- The station is the first all-English radio station in Korean history, and launched December 1. La-de-da. [↩]
Psst – Hey Students: Science is Sexy
From the “Telling My Students What I Wish My High School Teachers had Told Me” Department:
Science is downright sexy. It struck me last week as I watched the following video on CNN about scientist Carl Hodges, of the Seawater Foundation, which I promptly found online, bookmarked on Diigo, and noted:
Use rising oceans from global warming to reduce greenhouse gases and create food and green jobs? Scientists are the sexiest saviors in the world.
Watch the video, and ask yourself how, when a science career can lead to a lifestyle at once enjoyable, profitable, and socially valuable, students today are lukewarm about pursuing careers in science:
I’d chew off my left arm to live life like Carl Hodges. Yet, when I try to get students to see the beauty and the excitement of where science careers can lead, they look at me like I’m trying to sell them an 8-track car stereo.
The explanation for this, as usual, has to lie in part on how schools all-too-often teach science: linear, memorized, non-contextual units covering what science knows, garbage in, garbage out, with little to no focus on the more exciting stuff – those challenges science has yet to meet.
Injecting case studies of scientists like Hodges into classroom discussions might tip students more toward science. Emphasizing the creativity and lateral thinking of Hodges’ connections of global warming, rising seas, food and fresh water shortages, and desertification, and the beauty of his transforming a cause of global crisis into a possible solution for it – this bit of sexiness may seduce more students to become the future scientists who might save us, down the road, in different ways.
(And if you have your own “sexy scientist” heroes – or science teachers – do us a favor and drop them in comments
)
A Great Idea for Drama Class: Performing Wasilla Town Meetings
This is just hilarious, and a brilliant idea at the same time: taking the Wasilla Town Meeting minutes (Sarah Palin presiding), and turning them into a one-man drama performance. Do yourself a favor and laugh as you learn about the extent of this woman’s experience, and worse yet, her leadership style.












