Back to GarageBand: Not Quitting Day Job - Yet

A field headquarters in the War on Schooliness.

Back to GarageBand: Not Quitting Day Job - Yet

That last post was supposed to report this:

1. Since those first two fragments I composed on GarageBand, I spent a couple or three hours watching Atomic Learning’s GarageBand screencast tutorials (paid subscription required), and they taught me a few things. Most importantly, they taught me how to change the key of different loops and parts of the song so you’re not stuck on one chord the whole time. (You can only go so far on the tonic.) Hint: “Tracks > Master Track.” That’s where you can take that C major tonic chord to the F sub-dominant (the “IV”) and the G dominant (”V”), and voila, instant blues or rock songs. You can do more than that, of course.

2. Wes Fryer showed us his midi keyboard, an M-Audio Axiom 29 model, in Shanghai. I found a dealer here in Seoul, chose to get the 5-octave Axiom 49 plus an Axiom SP-2 sustain pedal (total cost: USD $380 or so), and my soon-to-be better half helped me order it on the phone, and it’s going to be delivered tomorrow. That’s a picture of it, above. See those square black pads on the upper right? They can each be programmed as a different percussion instrument (probably other things too), and are touch-sensitive.

I can’t wait to play with this baby. If any of you are fans of Leonard Cohen’s later works - say, I’m Your Man and on - you know that he has done some beautiful stuff setting voice and lyrics to very simple music tracks. I’d bet money that he didn’t use much more than GarageBand (or something as simple) and a keyboard like mine to make his Ten New Songs cd in 2001.

OMG. I hope the manual isn’t in Korean.

If you like this post, please spread it: (But don't tag it "education." That will bury it.)